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Campaign 4 - Mission:
1. To celebrate Haitian Artists and culture - the richest of cultures
in the Western Hemisphere; and
2. To counter the moral poverty of the greater part of the International
Community intent on hurting and maligning Haiti, its peoples, spirituality/Vodun
religion, Kreyol language and unique culture and way of being by conducting
Teach-Ins, Cultural Forums, and forums entitled "Art with the Ancestors."
HLLN shall run letter writing campaigns and, through its Ezili Danto
mailing list, provide reliable and up-to-date analysis of the Haitian
situation not found anywhere else to counter the mainstream press and
Western coup d'etat governments' (US, Canada, France) and International
Communities (UN, OAS, IRI, NED, Haiti Death (Democracy?) Project's)
torrent of lies, false accusations and racists distortions about Haiti,
its culture and peoples in order to reshape the public understanding
and discourse on Haiti internationally.
BACKGROUND: Haiti's Revolutionary Legacy- Over 200
years ago, a group of Africans considered subhuman, beat, in combat,
the greatest military powers of that time, including France, Britain,
Spain, overcoming even an 1803 U.S. embargo to become the first Black
Republic in the Western Hemisphere. Coup D'etat or no Coup D'etat, that
achievement cannot be altered. At that time, in 1804, when Haiti declared
its independence, the U.S. President, Thomas Jefferson, said to his
European allies, "let's confine this disease to its island."
This venemous resentment uttered by the US father of "Liberty and
justice for all." Haiti has been battered and battered ever since
by the most powerful countries and armies on earth and still is being
hurt and maligned by the utterances, negative media mantras and Hollywood
pop culture distortions of these same former slave-owning countries
and their blan-peyi, Restavek Haitians. But, it was Haitians who first
put Liberty into application and 33 Coup D'etat's or not, that fact
remains and must be celebrated and built upon.
The bi-centennial coup d'etat begun with a festival of annihilation
both of Haitian life, art and culture. According to the article,"Barbarians
at the Gate: rebels destroy art collection", Rev. Vladimir Jeanty
a "well-dressed religious fanatic and founder of the Haitian Party
of God" claimed:
"We burned it because anything
that was created during the Aristide government has to be destroyed.."
See, Barbarians at the Gate: rebels destroy art collection, St.
Petersburg Times, Florida.
The chaotic tone of today's Haiti was set in Feb. 2004 by US-supported
Guy Philippe's arrival outside a colonnaded downtown building that was
once the headquarters of the disbanded Haitian Armed Forces. It housed
the Museum of Independence and a collection of Haitian art. Greeted
by a cheering mob of former army soldiers and old human rights abusers
looking to get their old jobs back, the assassin, Guy Philippe told
his repulsive and destructive audience that he was their man. He then
watched as the destroyers ransacked the precious building, throwing
valuable paintings and an entire exhibition of 86 Vodun craft and art
over a second-floor balcony into the crowd. Chanting "Up with Jesus,
down with Satan," the Philistine mob of destroyers proceeded with their
festival of annihilation and to burn the precious works of Haitian art
and historical legacy in a giant bonfire.
"We burned it because anything that was created during the Aristide
government has to be destroyed," said the Rev. Vladimir Jeanty, a well-dressed
religious fanatic and founder of the Haitian Party of God. "This is
a sad day for Haitian culture," said Haiti's minister, Leslie Voltaire
(picture). The exhibit opened Jan. 1 to commemorate the country's 200th
anniversary of independence and had been widely acclaimed as the country's
first major showcasing of Haitian voodoo art, including unique works
by a deceased voodoo houngan (priest), Pierre Barra. "Haiti is a country
of life and art. They cannot destroy life or art," said Voltaire, whose
distraught wife organized the exhibit. Source: St. Petersburg Times,
Florida, Barbarians at the Gate: rebels destroy art collection.
Instead of hunger strikes and
marches against the Coup D'etat and defacto UN protectorate, the Haitian
Lawyers Leadership urges progressive organizations to sponsor celebration
of Haitian culture with Haitian Racine music, paintings, books, drumming,
Vodun dancing, and to support Haitian artists, plays and organizations,
soliciting their help for educational Teach Ins and Cultural Forums.
HLLN shall, from time to time, connect, promote and encourage the work
of selected Haitian artists. (See Art with soul). The Leadership shall
also, upon request, advise and provide leads and referrals on workshop
structure and Haitian experts, Haitian artists and purveyors of Haitian
art, spirituality and culture to lead the Cultural Forums and Teach-Ins.
HLLN Urges all organizations that had planned on celebrating and commemorating
the great achievement of Haiti from 1791 to 1804 to go forward, especially
now and onwards until Haiti is free, with Celebrating
Haitian culture and art, as one of the richest culture in the Western
Hemisphere and by promoting Haiti's revolutionary legacy.
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