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Ezili Dantò Biography

The Revolution which created the nation of Haiti was inspired by the divine decree of the warrior love goddess known as Ezili Dantò who danced in the head of the great Haitian priestess, Cecile Fatiman, on that famous Haitian night in 1791, on a red hilltop, at a forest thicket in Haiti called Bwa Kayiman.

Led by the powerful warrior spirit of Ezili Dantò, Cecile Fatiman crowned the African warrior Boukmann with her royal red Petwo scepter, ushering in the Haitian war which forever slashed the chains of European slavery in Haiti to create Africa's sacred trust, Manman Ayiti - the first Black nation in the Western Hemisphere.

Ezili Dantò is the symbol of the irreducible essence of that ancient Black mother, mother of all the races, who holds Haiti's umbilical chord back to Africa, back to Anba Dlo*. Calling on her essence, breath, vision and cosmic power brought forth Haiti's release from 300-hundred years of brutal European enslavement.

Ezili Dantò is the spiritual mother of Haiti and the preeminent cosmic symbol of Black independence, unity, self-determination, justice, equality and freedom.


The Goddess Remembered at Bwa Kayiman

There was a time when women were the primary religious figures on this planet. A pre-historical time, long ago.

Haiti, the first Black nation in the Western Hemisphere, is the pioneer in ushering back the reign of the goddess and of women as religious figures equal with men in performing religious ceremonies.

On August 14, 1791 Haitians remembered their dark, African mothers and honored Her culture. August 14, 1791 Boukmann remembered Mother Africa. Cecil Fatiman remembered Mother Africa. All the "Feys" - leafs - at Bwa Kayiman remembered Mother Africa. Then, the amalgamated African tribes, in Haiti, found and took hold of Ezili Dantò who said, "Kanga Mundele" - Kill the stranger amongst us, meaning both the brutal enslavers as well as mental colonization. Over two hundred delegations of Blacks from various plantations throughout the North of Haiti where present.

The Haitians had stretched their heart, nerve and sinew way back to call on this authentic pagan (or the pre-Judeo-Christian, pre-Muslim described) spirits of ancient and pre-colonial Africa - they called on - Ezili Dantò (along with Danbala, Atibon Legba, Ogou Feray, Manman Lasirene, ect). But Ezili Dantò appeared first at that Petwo ceremony on August 14, 1791 day on that red clay hilltop in Haiti.

All the Africans at Bwa Kayiman, all, be they Muslim or Christians converts, went HOME that day, back to Vodun and, that, has been the road less traveled by any African nation to date. That Movement has made ALL the difference to Africans in the New World and around the world, globally, for it initiated and propelled forward universal human rights as well as initiating the first sparks for Pan-Americanism and Pan-Africanism in modern world history. For, the Haitian people were the first Blacks and enslaved workers taken in shackles out of Africa to the "New World", the first treated as savages and as subhumans and the first to respond to this treatment definitively and forever, by validating themselves as human beings entitled to equality, self-defense and entitled to their own African religious beliefs. For those days, as well as for today, that was REVOLUTIONARY.

But a Black nation inspired by an African goddess/liberator was a bad omen for the white European settlers who claimed themselves superior to Blacks and certainly to free Black women. Yet, the Haitian people, without arms, allies or financial resources where so inspired by their Vodun gods and goddesses and the powers of their ancestors that, that led by the warrior goddess, Ezili Dantò, and after 300-years of Christian-based enslavement in the Americas and over one thousand years of Islamic conquest and enslavement incursions all over Africa, they decided to "live free or die" - liberte ou lamo! and set themselves free in Haiti, defeating all the mighty European powers of that time - France, Spanish, British in combat.

Today, Haitian women and men follow the long legacy of the warriors of Haitian independence. They are tireless fighters, beholden to no-one - heroic leaders on the cutting edge of the human rights struggle.

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*Anba Dlo literally means "beneath the ocean, the waters". It is that primordial, cosmic space where all potentiality lives. It's the mythological "Haitian Heaven" where all that ever lived, will live and is living will end up. It is, to the African warriors who founded Haiti, the road back to Manman "Africa" - Nan Guinen, that cosmic space where the world began with "Le Marasa, le Mor e le Mistere."

Anba Dlo to the Haitian is where the great African Ancestors'; where our sacred energies, our strengths and force - the "Lwas," - those sacred irreducible essences of the Haitian/African/Black soul - reside. Anba Dlo is the sacred stillness, cosmic place, where life sources issue from and return to.


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More info on the sacred energies, light and beauty of Haiti and Haitian culture and on the Haitian Lwa - Gods and Goddesses, the irreducible essences.

Vodun: The Light and Beauty of Haiti


References:

l. To learn more on Haitian Vodun, Ezili Dantò and view a rendition of the Lwa, Ezili Dantò, as illustrated by Hersza Barjon, go to: http://research.ucsb.edu/cbs/projects/divinehaiti.html, then click on "Lwa" and then the lady with the child in her dress.....

2. Sacred Arts of Haitian Vodun, American Museum of Natural History. ( Book: Sacred Arts of Haitian Vodou, Donald J. Cosentino (Editor), Los Angeles: UCLA Fowler Museum of Cultural history, 1995)


3. Divine Haiti: Portraits of the Lwa at the UCSB Center for Black Studies (An Exhibit of the Haitian gods and goddessesof Haiti)
by artist, Hersza Barjon

4. Hersza Barjon - www.hersza.com

5 . Ancestral Rays: Journey through Haitian History & Culture
Illustrated with the Works of Hërsza Barjon
Edited by Claudine Michel
Exhibition curated by Ernestine A. Ray

6. See also, Performance poet, Marguerite Laurent (in RBM) onstage as Ezili Dantò:

Marguerite Laurent as Ezili Dantò onstage performing "Journey of the Serpent and the Moon" in Red, Black & Moonlight: Between Falling and Hitting the Ground (Buy the 90-performance DVD) - RBM Video Reel

































7. The Descent of the Lwa, Journey Through Haitian Mythology: The Works of
Hërsza Barjon

8. Journey of the Serpent and the Moon by Marguerite Laurent

9. Haitian dance - Dances of the gods. Classes and workshops by the Ezili Danto Spoken Word Dance Theater (Dance and drumming workshop descriptions)

10.
Audio Interview - Patrick Bellegarge Smith on Living Vodun - (mp3, 53:07)

11. Living Vodun
http://speakingoffaith.publicradio.org/programs/vodou/index.shtml


"The word "Vodou" evokes images of sorcery and sticking pins into dolls. In fact, it's a living tradition wherever Haitians are found based on ancestral religions in Africa. We walk through this mysterious tradition — one with dramatic rituals of trances and dreaming and of belief in spirits, who speak through human beings, with both good and evil potential." (Krista Journals, Speaking of Faith from American Public Media)

*
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Unheard Cuts from Krista's Journal on Speaking of Faith - Raw, Unedited Interviews

12. Audio Interview - Claudine Mitchell on Living Vodun:
http://download.publicradio.org/podcast/speakingoffaith/
20070628_vodou_uc-michel.mp3


Claudine Michel is professor of Black Studies at the University of California, Santa Barbara. She co-edited Haitian Vodou: Spirit, Myth, and Reality and Vodou in Haitian Life and Culture.



13. Audio Interview - Patrick Bellegarge Smith on Living Vodun - (mp3, 1:23.42) interview by Krista http://download.publicradio.org/podcast/speakingoffaith/
20070628_vodou_uc-smith.mp3


Patrick Bellegarde-Smith is chairman of the Department of Africology at the University of Wisconsin in Milwaukee. He's co-edited several books, including Vodou in Haitian Life and Culture and
Haitian Vodou: Spirit, Myth, and Reality.

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14.
"Vodun Brooklyn"
A Photographer's Journey into a Haitian Community in the U.S. - an Audio slideshow.

Stephanie Keith met a Vodou priest at a Buddhist interfaith event. He invited her to photograph and experience the religious world of his Haitian culture. Ten ceremonies later, she offers her images and reflections on these late-night rituals.
http://speakingoffaith.publicradio.org/programs/vodou/audiogallery
/soundseen.shtml#slideshow



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15. Divine Horsemen: The Living Gods of Haiti (book and film) by Myra Deren
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16. The Drums of Vodou by Lois E. Wilcken; and
Review of Divine Horsemen: The Living Gods of Haiti by Lois E. Wilcken
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17. The Faces of the Gods: Vodou and Roman Catholicism in Haiti by
Professor Leslie G. Desmangles, Ph.D., Chair, Department of Religion & International Studies at Trinity College, Hartford, CT

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18. Flash of the Spirit: African & Afro-American Art & Philosophy by Robert Farris Thompson

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19. Mama Lola: A Vodou Priestess in Brooklyn by Karen McCarthy Brown
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20. Lafimen: Listwa Pèp Ayisyen Depi Nan Ginen
http://www.margueritelaurent.com/pressclips/lafimen.html and Jafrikayiti.com

"Anmezi y ap eseye toufe l, anmezi l ap fofile fè pasaj pou li monte: LAFIMEN, se listwa pèp Ayisyen depi nan Ginen !"

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